Into this Romantic atmosphere
come new performances of the three works on Glossa, played by violinist
Leila Schayegh (particularly fêted for her recordings of Bach, Caldara
and Benda), teaming up here with pianist Jan Schultsz. Schayegh plays a
copy of a period violin, whilst Schultsz uses an original 1879 Streicher
instrument.
The two players aim to recapture the performing tradition as the composer would have known it, and within
which he would have intended his pieces to have been played. Schayegh
and Schultsz worked with Clive Brown and Neal Peres Da Costa in their
efforts to aim for “the spirit rather than the dead letter of the score”
and they pay admirable notice of important interpretative questions for
music of this time – and they provide an intuitive musical and
emotional response to the lyricism of the first two sonatas and the
darker-hued tones of the third, investing these late-nineteenth-century
works. (Glossa)
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