“I think that in immersing myself in
the world of these sonatas, I’ve probably taken a stroll down memory
lane. We all carry within ourselves significant events that have
structured our childhood, our imagination, sometimes our doubts, and
when we decide, as performers, to concentrate our attention on a
specific repertory, we’re often setting out in search of a part of
ourselves that calls for new light to be shed on it. […]
This music enveloped my everyday life, in a totally natural, familiar and almost
organic way.”
(Jean-Guihen Queyras)
“These
cello pieces, composed in the grip of the greatest inspiration, remind
us of the extent to which the extravagant and emotional brilliance of
Vivaldian (and Venetian) art reposes above all on a direct sensibility
of the elements in their simplest, even crudest form. Pisendel once
submitted an attempt at a concerto to his teacher. Vivaldi immediately
divested it of half its notes: one must know how to leave enough space
for the miracle to filter through.” (Olivier Fourés)
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