While starting his career adhering to Brahms’ “absolute” or “formalist”
compositional approach, Richard Strauss rapidly turned into a staunch
supporter of Wagner’s Zukunftsmusik, writing a series of iconoclast
symphonic poems full of metaphysical allusions. This album features both
sides of Strauss’s musical persona with the Burleske in D minor as well
as Ein Heldenleben. While the former is a playful, miniature quasi
concerto for piano and orchestra, the latter epitomises Strauss’s
symphonic style: majestic, virtuosically orchestrated, full of grand
ideas, but never without irony. In that respect, Ein Heldenleben has
more in common with Burleske than one would expect. Strauss’ arguably
satirical self-identification with the hero of his symphonic poem is
underlined by recurrent self-quotations from previous compositions. The central
role of the solo violin makes it another solo concerto in disguise,
albeit less overtly than Burleske.
These two remarkable pieces are performed by the Netherlands Philharmonic Orchestra and their chief conductor Marc Albrecht, with
Denis Kozhukhin delivering the solo piano part in Burleske.
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