Two
of the brightest singing talents to have emerged from Italy in recent
years, Giulia Semenzato and Raffaele Pe, join forces for Sospiri d’amore,
a dazzling celebration of operatic arias and duets by that Baroque
master of amorous emotions, Francesco Cavalli. Soprano and countertenor
are supported by a modern master of Italian Baroque style in Claudio Cavina, who directs La Venexiana (Cavina has also led the Glossa recording of Cavalli’s 1656 opera Artemisia).
Working
in Venice with some of the best Italian librettists around in the
mid-seventeenth century, Cavalli mined rich emotional seams concerning
love in his operas – from tragedy to comedy, from profundity to
frivolousness, through to sensuality and vivacity – conjuring up a
stream of productions which enjoyed great artistic and financial
success; his influence travelled far and wide, and even just in the
immediate period of the Baroque this included Rameau, Lully and Handel
and Purcell.
With five full-scale duets amongst the solo arias, ariosos and recitar cantando,
this new Glossa recording gloriously shows off the talents of two
artists who have been gathering important stage experience in the operas
of Cavalli: the Venetian Semenzato and the Lombard Pe (who made his
debut on the label with The Medici Castrato). Space is also found for one of the vocal genres which Cavalli can lay claim to instigating – the dramatic lamento, here in the form of Lassa, che fò from Statira.
In addition, an intriguing picture of Cavalli and his operatic
inspiration is to be found in the booklet essay written by Olivier Lexa. (GLOSSA)
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