
According to Stefano Russomanno in his as everexcellent notes for this collection, “Monteverdi’s Fifth Book of Madrigals
is a pivotal work. From its height it is possible to survey in a
single glance the history of the madrigal, its previous and subsequent
stages. On the one hand, the new collection replicates the miraculous
poetic balance of the Third Book; on the other, it presses ahead even more radically along the novel lines presented in the Fourth Book.
[...] Even more striking and emblematic of the new era is the presence
of the basso continuo, which is mandatory in the last six madrigals of the Fifth Book and optional in the rest. [...] The door
leading to drama and the representative style was now open. Monteverdi
would not be long in crossing it: two years later, L’Orfeo would come to light.” And there is nobody better than La Venexiana to uncover for us the fascinating evolution of Italian music at one of its greatest moments... (GLOSSA)
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