Playing together for the first time for Hyperion, Hough and Isserlis are
stunningly matched in this large-scale passionate romantic programme.
The sonatas stand at the centre of the meaty repertoire established by
Brahms—whose two cello sonatas Steven Isserlis has recorded for us in an
award-winning disc accompanied by Peter Evans (CDA66159)—and
characterised by grand sweeping gestures, lush melody, and heartfelt
emotions that sear from pathos to frenzy. The Franck is, of course, an
alternative version the composer wished for his violin sonata, a
transition that many feel to be the work's happiest incarnation. These performances are distinguished by the inspired combination of the
renowned energy and panache of Isserlis with the fastidious translucency
of Hough's playing, in music often despatched with more gush than
gusto. Isserlis also provides a programme note very much in his own
style; he examines the inspiration behind both works, coming as they do
from deeply religious composers who were also the voices of greatly
sensual radiance, while including reminiscences of his grandfather
playing the piano part for the dedicatee of the Rachmaninov and of his
grandmother learning the piano part in her 80s, to accompany her
grandson! The disc is completed by what in the context may seem
miniatures but which amply show how these great composers had a language
of intimacy as much as expansiveness. (Hyperion Records)
'Steven Isserlis gives a deeply felt and warmly affectionate reading,
abetted by Stephen Hough’s sensitive pianism' (Classics Today)
'Steven Isserlis and Stephen Hough give a serene and eloquent performance' (Gramophone)
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