Annette Bik, violinist with the Klangforum
Wien, is familiar with both early and contemporary music. On her first
solo album, “Double Bach”, she presents a fascinating experiment: she
asked leading contemporary composers to write a double of each movement
of Johann Sebastian Bach’s famous “Partita in h-Moll”. The idea seemed
even more compelling since Bach also added a variation, or double, to
each movement of his suite.
As listeners we are in the unique
situation of being able to experience a Bach double double, a stroke of
genius in the mirror of our times, a fascinating auditory document where
the greatest virtuosity and immediate impact come together in a rare
coalescence. In that moment, we feel what the Austrian publicist Armin
Thurnher expresses so succinctly in the Liner Notes for this CD: “Bach
is a complete cosmos for sceptics, Bach is the experience of infinity
for mortals.”
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