
The artists’ delight in historically informed performance practice shines
like a beacon from start to finish. In the course of the three-hour
production Fagioli brings all the many and varied aspects of the intriguing
character of Serse (Xerxes) musically to life. Listeners will share his
pain and feel for him as he falls for Romilda, his emotions alternating
between loneliness, anger and love. The aria “Ombra mai fu”, with which the
king serenades a much-loved plane tree in the opening scene with, is now
one of the best-known pieces ever written by Handel. “I did my best to
imagine exactly what Serse might have been feeling as he sat beneath the
tree, and then tried to bring those feelings into my performance of the
aria,” explains Fagioli. The role is one of two that Handel wrote
for the celebrated Italian castrato Caffarelli (the other being the title
role in Faramondo), an artist whose repertoire the Argentinian
countertenor has explored to great acclaim both on stage and in the studio:
as well as starring as Farnaspe in the Decca recording of Pergolesi’s Adriano in Siria, he has also released the solo recital album Arias for Caffarelli.
This new recording from Franco Fagioli and Il Pomo d’Oro is a wholehearted
celebration of Serse’s many musical delights. Their performance,
full of emotional complexity and expressive beauty, is a wonderful gift to
the music world.
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