Gioachino Rossini died 150 years ago. This leading light of Italian
opera wrote one of the most frequently performed and most famous operas
in the whole history of music: Il barbiere di Siviglia. Now the star
violoncellist and exclusive SONY Classical artist Raphaela Gromes pays
tribute to Rossini with her latest album. Her Hommage à Rossini naturally
features Une Larme, Rossini’s only original work for violoncello
and piano, but it also includes a number of arrangements of Rossini
arias for violoncello and orchestra or piano and a set of variations on a
theme from Rossini’s Mosè in Egitto written by the Czech composer
Bohuslav Martinů. But pride of place goes to a world-premiere recording
of a piece by Jacques Offenbach, his Hommageà Rossini for violoncello and
orchestra. Long thought to be lost, this fantasy, dating from 1845, has
now been reawoken from its Sleeping - Beauty - like slumber thanks to the
musicological researches of Raphaela Gromes and can be performed again in
time to mark Rossini’s sesquicentenary – 173 years after it was composed.
For this discographic sensation Raphaela Gromes is accompanied by the WDR
Funkhausorchester under Enrico Delamboye. In the pieces for violoncello
and piano, conversely, her accompanist is the pianist Julian Riem, who
is also responsible for the arrangements.
As a child, Raphaela Gromes wanted to become a singer and decided
to take up the violoncello because the sounds that this instrument
produces come closest to those of the human voice. In her efforts to
achieve a “vocal approach” to her Rossini programme, she sought advice
on the technical mysteries of bel canto from the soprano Juliane Banse and
the mezzo-soprano Daphne Evangelatos. In this way she has been able to
come closer to Rossini’s declared ideal of “sweet Italian singing that
comes from the heart”.
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