Haydn’s six Op. 20 string quartets are milestones in the history of
the genre. He wrote them in 1772 for performance by his colleagues at
the Esterházy court and, unusually, not specifically for publication.
Each one is a unique masterpiece and the set introduces compositional
techniques that radically transformed the genre and shaped it for
centuries to come. Haydn overturns conventional instrumental roles,
crafts remarkably original colours and textures, and unlocks new
expressive possibilities in these works which were crucial in
establishing the reputation of purely instrumental music. The range
within the quartets is kaleidoscopic. From the introspective,
chorale-like slow movement of No. 1 via the terse and radical quartet
No. 3 in G minor to the comic spirit of the fourth in D major, each of
the quartets inhabits a distinct musical world. For many, this is some
of the greatest music Haydn ever wrote.
Playing these seminal
works is one of the world’s finest young ensembles, the Doric String
Quartet. As well as having already produced a string of acclaimed
recordings on Chandos, the group has been widely praised for its live
performances of Haydn’s works. The Sunday Telegraph wrote that ‘Haydn
and the Doric are a perfect match… Unequivocally, these were
performances of terrific panache and perception, seeming to get right
under the skin of Haydn’s creative genius’
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