Dorothee Oberlinger is one of the most amazing discoveries of recent
years, an expressive virtuoso who - quite rightly - received numerous
awards while still quite young. Today she is seen as one of the best
recorder-players in the world. Her concerts have been received with
enthusiasm by critics and audiences alike, earning her unanimous
acclaim. Her CDs are regularly fêted as the best new issues on the
market.
Dorothee Oberlinger has given solo recitals at festivals
all over Europe, in America and Japan, for example at the Ludwigsburger
Schlossfestspiele, the Musikfestspiele Potsdam, the Settimane Musicale
Stresa, the Nederlandse Oude-Musik-Network, the Festival de Musica
Antigua Sajazarra, the Warsaw Beethoven Festival, the Europäische
Musikfestwoche Passau, the Rheingau-Musikfestival, the Tage der Alten
Musik Regensburg and the MDR-Musiksommer. Other venues in which she has
played include the Wigmore Hall in London, the National Philharmonie in
Warsaw, the Marianischer Saal in Lucerne, the Rosée Theater in Fuji and
the Philharmonie in Cologne.
She has been the guest soloist with
leading international Baroque ensembles such as London Baroque and
Musica Antiqua Köln directed by Reinhard Goebel, and she also plays
regularly with modern symphony orchestras such as the
WDR-Rundfunk-Sinfonieorchester and the Detmolder Kammerorchester.
Dorothee
Oberlinger collaborates particularly intensively with the top Italian
ensemble "Sonatori de la Gioiosa Marca", with whom she has given many
concerts throughout Europe. Their joint CD of concertos by Antonio
Vivaldi has received numerous awards from the international musical
press.
She directs her own "Ensemble 1700", which she formed in
2003. Together they have realized a wide variety of projects relating to
the music of the 17th and 18th centuries.
In 2004 Dorothee Oberlinger was appointed professor at the renowned Mozarteum academy in Salzburg.
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