In all other respects, the primadonnas, the title figures and central heroines, stand at the centre of the spotlight. Handel and Vivaldi also
had a special affection for the ‘women in the shadows’ – for the
queens, the servants or the spurned lovers, mostly sung in female alto
voice. They were given breathtakingly beautiful arias: full of lament,
sensuality, vengefulness or fury.
In recent years, the German contralto Julia Böhme has
developed into one of the most in-demand performers of 17th- and
18th-century music. Her vocal elegance and expressiveness, historically
sourced style and unique timbre are just as characteristic of her as a performer as her dramatic intensity and versatility. Concerts and opera
productions have taken her to the Dresden Music Festival, the Vienna
Musikverein, Prague, Leipzig, Halle, Amsterdam, Brussels, Bruges,
Versailles, the Laieszhalle Hamburg and the Leipzig Gewandhaus.
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