What a surprise it was when my friend the pianist Julien Quentin
introduced me to the music of Szymanowski several years ago. A world
full of myths opened up, a landscape with fast streaming rivers where
frightened nymphs timidly glanced back at lascivious satyrs with goat
hooves. And full of colourful stories about the shepherd’s boy
seduced by a princess, and the firebird hiding in the bushes. In the
three myths I recognised Ovid’s Metamorphoses. I managed to track down
the poems of Szymanowski’s countryman Tadeusz Micinski, which inspired
him. In pursuit of the composer’s roots, I visited his villa Atma, where
I heard the wonderful music of the mountains of Zakopane, which had
moved him as well. And so ‘Myth’ came into being, an issue imbued with
the Polish soul, and including, from further afield, some Russian myths
as well.
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