The Ragazze Quartet with its classical roots, Slagwerk Den Haag with its
contemporary sounds, and the unusual jazz trio Kapok… Contrasting
contours, but a common denominator: none of these three ensembles
belong to a specific category. All three push the boundaries of our
genres in our quest for new forms and adventurous joint projects. It is
through this inquisitive musicianship that the unusual combination feels
so wonderfully natural.The choice for Riley’s repertoire gave another
stir to our boundary reconnoitre. For Riley’s music allows considerable
space for creativity and improvisation. The tension that arises through
freedom within strict frames means that every performance is
different. And it brings with it that the music has a strong sense of
spontaneity and joie de vivre.In C, performed by the Ragazze Quartet and
Slagwerk Den Haag, the dynamic range is enormous. Long, melodic lines
as well as short, rhythmic motifs may be employed, producing an effect
of both tranquil contemplation and pulsating explosiveness. Sunrise of
the planetary dream collector was originally written for string
quartet. But the Ragazze Quartet invited jazz trio Kapok to make a new
arrangement together. The mix of string quartet and horn, electric
guitar and percussion, all expanded with electronic effects, offers a
rich pallet of timbres. All this goes to bring the groovy rhythm and
whimsical, improvisatory character of the music further to the fore. In
this way the combination of different ensembles forms the basis for our
own unique version of Terry Riley’s In C and Sunrise.
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