
Capturing a rare performance of one of the world’s most acclaimed
pianists as a chamber musician, this live album is a new gem in DG’s
vast catalogue.
The rehearsal and preparation process for the recording created space
for a true meeting of minds, allowing Kissin and the Emersons to
preserve their individual characteristics while revealing qualities
unique to their collaboration. Ideas tested in the rehearsal room were
subsequently forged in the heat of performance, unleashing elemental
shifts between Classical heroism and Romantic introspection, and drawing
out points of dramatic tension and release. Everything flowed, nothing
became fixed as Kissin and the Emersons moved from one concert to the
next. Last year’s performances “were the highlights of [their] season,”
notes ESQ’s Eugene Drucker.
All of the musicians worked enthusiastically together to achieve a
synthesis of views, from which emerged their dynamic interpretations of
Mozart’s Piano Quartet No. 1 in G minor K 478, Fauré’s Piano Quartet No.
1 in C minor op. 15 and Dvořák’s Piano Quintet No. 2 in A Major op. 81.
Their choice of repertoire also comprised two encore pieces, including
the Scherzo from Shostakovich’s Piano Quintet in G minor op. 57.
The close mutual understanding established between the “ideally matched” (New York Times) pianist and quartet was apparent to all who witnessed it. Reviewing the Carnegie Hall concert, Bachtrack underlined the “palpable sense of communion.”
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