Thinking up new programmes is something I usually do on my own at my
desk. But for this solo album I wanted to take up a new challenge to
create a programme with my audience. I had the feeling that this would
provide me with new insight. With just my violin as travelling
companion, I set off through Europe for a series of solo recitals with a
collection of pieces to try out. After each concert I asked the
audience for feedback: how had they experienced the programme? The
atmosphere, the sequence of the pieces and the length. Instead of
treating my audience as passive listeners, I invited them to discuss
these matters and feel involved.
On my way to the next recital I thought about the reactions. Slowly
but surely the programme began to form a logical entity. This is what
INSIGHT is all about. The liner notes tell more about the process of
making a programme, and the actual music is the final result. What is in
store for you? Not the average classical programme. Don’t be surprised
if a Baroque piece dating from 1676 is split into two or if the
Sarabande by the twentieth-century composer Enescu is embraced by dances
by Bach. Be open to new insights and enjoy! (Rosanne Philippens)
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