This album of Sir Harrison Birtwistle’s chamber music and songs, mostly
of recent vintage, is issued as the innovative Great British composer
approaches his 80th birthday. It features an exceptional
cast. Heard together and separately is the trio of Austrian pianist Till
Fellner, Georgian violinist Lisa Batiashvili and English cellist Adrian
Brendel. They are joined by London-born singers Amy Freston and
Roderick Williams. The compositions include “Bogenstrich” written in
2006 as a short piece in tribute to Alfred Brendel and first played by
his son Adrian together with Fellner. It was subsequently expanded into a
cycle with the addition of settings of Rilke for baritone, cello and
piano. The “Trio” is the newest piece, premiered in 2011, a 16-minute
single movement work of elaborate patterning, gestures and responses,
for piano, violin and cello. Settings of the writings of US Objectivist
poet Lorine Niedecker (1903-1970), scored for soprano and cello in 1998
and 2000, begin and close the album. As Bayan Northcott writes in the
booklet, “These concentrated songs demand the utmost of their performers
in precision, expression and timing. As in Webern’s settings, the few
words and notes on the page can seem to imply whole worlds of thought
and feeling”. This highly-concentrated chamber-scale expressivity is
felt throughout the entire album, recorded at Munich’s famed
Herkulessaal, and produced by Manfred Eicher.
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Mucho más duro de lo que me esperaba... y me esperaba no poco. Aun así la sensación es que, dedicándole tiempo y paciencia, es posible "hacerse" con un álbum del que uno tardará en cansarse.
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