Roberta Mameli / Luca Pianca ANIME AMANTI

A voice, a lute, a sigh. Nothing could be simpler and more immemorial. This expression of sentiments and emotions, of the intermittencies of the heart and the shadows of the soul, is of course as old as the world. Yet it was truly a reconquest of the Renaissance. With Caccini, the ‘new music’ at once found a miraculous melodist. He composed a Euridice, performed in 1602, two years after Jacopo Peri’s setting and five years before Monteverdi’s Orfeo. The Renaissance did not know opera, but long secreted that genre soon to be born. And it is brand-new opera that opens and closes this recording, through the voice of its first visionary, Claudio Monteverdi. His Lamento d’Arianna, the centrepiece of a lost work, expresses sorrow, regrets, revolt through the very music of the Italian language, here brought to white heat. The ‘new music’ spread throughout Italy: Merula in Cremona, Falconieri in Naples, and Barbara Strozzi, the most famous woman composer of the age, in Venice.

The Italian soprano Roberta Mameli is a great lover of this music, which she performs with an outstanding feeling for words and drama. Luca Pianca offers her his artistry and his great experience. Roberta Mameli is joining Alpha for several recordings, which will guide us towards other rarities and other periods. (LQM)

Daniel Hope AIR a baroque journey

From its creation in the mid-16th century by Andrea Amati to the present day, the modern violin has had an extraordinary and tempestuous history. Arguably its greatest development came during the Baroque era, as violinists and composers, in a sense liberated from the austerity and contrapuntal strictures of The Renaissance, went on a journey, both musically and geographically, avidly seeking more extravagant and original ways in which to express themselves on this fascinating new instrument.
Air sets out to trace one such Baroque journey. It is the story of four unique composers, three of whom were virtuoso violinists, one a lutenist – Falconiero, Matteis and Geminiani from Italy, and Westhoff from Germany. They wandered throughout Europe during the 17th and 18th centuries in search of musical inspiration and crosspollination, and their music and art of performance intrigued and delighted kings, contemporaries and audiences alike.
As well as works by these four composers, this album also features some of the other music of their time, in an attempt to show the cultural exchange taking place, much of it intuitively, between musical minds across borders.
Some of these composers were influenced directly by what they heard, whether it was Geminiani by Handel, Bach by Westhoff or Matteis by the wealth of folk music he encountered on his travels to the British Isles.
This album sets out to show just how diverse the music of the Baroque era was. Air blends the simplest and at times most primitive forms of dance music with the most sophisticated and revolutionary compositions of the day, culminating in a work by Bach - the great master, whose title is my inspiration for this collection, and whose music remains for me today more modern than that of anyone else. (Daniel Hope)