NOVUS NY / Julian Wachner LUNA PEARL WOOLF Fire and Flood

                                                                FIRE AND FLOOD

EIN ENGEL IN DER NACHT

Gentle and haunting spirits from distant spheres meet in a surging world of dreams and lullabies in 'The Girl and the Angel, a musical narrative'. This work interweaves a new story by bestselling author Cornelia Funke with expressive new compositions by Luna Pearl Woolf and familiar and popular songs by Irving Berlin, Lennon / McCartney, Jake Heggie, Engelbert Humperdinck, Gordon Getty and others. Cornelia Funke herself captures her story with rousing songs by Frederica von Stade, Daniel Taylor, Lisa Delan and Zhen Cao, accompanied by the lush cellos of Matt Haimovitz and his Uccello ensemble. Exquisite images from the award-winning creative studio Mirada visually shine the story. The Girl and the Angel was originally released in 2013 under the title Angel Heart with accompanying concerts in Los Angeles and New York's Carnegie Hall, first released internationally in 2018, and now appears in a German-language version. The New York Times described The Girl and the Angel as 'a story that penetrates directly into the imagination of young people, with the simplicity and dark pull of a fairytale.'

Matt Haimovitz ORBIT

Orbit maps my musical journey since the turn of the millenium, a path travelled with my partner in life and music, composer Luna Pearl Woolf. Initially released on Oxingale Records as five thematic albums – Anthem (2003), Goulash! (2005), After Reading Shakespeare (2007), Figment (2009), and Matteo (2011) – Orbit encompasses nearly all of the solo contemporary works on these albums, along with two newly recorded tracks: Philip Glass’ “Orbit” and a new arrangement by Luna of the Beatles’ “Helter Skelter.” All but these two tracks were produced by Luna, and all have now been remastered for SACD HD surround sound. More than twenty composers are represented in the set, fifteen of them still living. Ten works receive their world premiere recording here. 

With the solo cello as our pilot, we steer headlong into the great musical debates of the past half-century: maximalist vs. minimalist; folk-rooted vs. abstract, absolute vs. narrative, tonal vs. atonal. In many ways, we live in a golden age of music, with a perspective rich in history and reference. We can look back at the 20th century’s Tower of Babel. We can embrace its boldness, diversity, complexity, and its return to the natural order of harmony. Leonard Bernstein’s words from his Norton Lectures, The Unanswered Question, ruminating on Noam Chomsky’s linguistic theory of universality, the collective wiring that connects us across borders and between far-reaching lands, resonates more than ever. He writes, “I’m no longer quite sure what the question is, but I do know that the answer is Yes.” (Matt Haimovitz)