With her Navona debut I Close My Eyes In Order To See, accomplished Canadian flutist Sara Hahn demonstrates her exceptional sensitivity for emotional nuance coupled with great virtuosic capability, but most of all: the healing power of music itself. Hahn, currently the Principal Flutist for the Calgary Philharmonic Orchestra, is rightly known for her refined and beautiful tone, and I Close My Eyes In Order To See indubitably attests to this. But extraordinarily, there is even more to Hahn's musicianship: An exquisite ability to get right into the heart of a composition. No doubt this is in part due to the highly personal selection of pieces: The album's eponymous opening track, I Close My Eyes To See, was dedicated to Hahn by composer Arthur Bachmann, written to commemorate her mother's hard (but eventually successful) battle with cancer. Indeed, the compositions of this album center around perhaps the greatest, and most universal, challenge of the human condition: overcoming Fate's hardships. In this spirit, the individual musical pieces represent emotions such as fear, sadness, the desire to bargain, and depression and anger are reached with the help of mental fortitude and spirituality all culminating, inspiringly, in acceptance and optimism. Sara Hahn's interpretation of these wildly diverse sentiments is nothing short of riveting and, towards the album's cheerful conclusion, supremely uplifting. In this sublime feat, pianist Laura Loewen and alto flutist Sarah Gieck, who both accompany with fitting delicacy, add great musical depth. I Close My Eyes In Order To See is an aesthetic feast for the ears, no doubt; but its true strength lies in having encapsulated not only a timeless constant of the human experience suffering but also a viable, feasible way to overcome it.
Mostrando entradas con la etiqueta Efraín Amaya. Mostrar todas las entradas
Mostrando entradas con la etiqueta Efraín Amaya. Mostrar todas las entradas
miércoles, 19 de septiembre de 2018
lunes, 29 de enero de 2018
Alexa Still EFRAÍN AMAYA Syzygy
Alexa Still credits fellow
flutist Jeanne Baxtresser for introducing her to the music of
Venezuelan-born composer and conductor Efraín Amaya. On Syzygy, Still’s
second release on the Oberlin Music label, she joins fellow Oberlin
Conservatory faculty members and students on six pieces written by Amaya
between 1997 and 2014. Former principal flute of the New Zealand
Symphony Orchestra, Still joined the Oberlin faculty in 2011. She
remains an avid performer in recitals throughout the world, including
the Australian and US premieres of Matthew Hindson’s ‘House Music’- a
piece she also premiered on a 2015 Oberlin Music recording. Syzygy,
which takes its name from a movement in the recording’s opening piece,
means “working together toward
a
common goal.” On pieces for flute and piano, flute and cello, and two
flutes, Still works effortlessly with her Oberlin collaborators. Joining
her are longtime piano professor Robert Shannon, cello professor
Darrett Adkins, and two former standout students in Still’s flute
studio: Aram Mun and Tasiaeafe Hiner. (Arkiv Music)
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