As if in a mirror, this recording juxtaposes the original piano versions
of two of Ravel's masterpieces (Le Tombeau de Couperin and Alborada del
gracioso) with their respective orchestrations. The Concerto in G major
combines the two facets, both when the piano is integrated into the
overall sound and when it plays its role as a soloist. The subtle
playing of Javier Perianes and the refined sonorities of the Orchestre de Paris, conducted by Josep Pons, also remind us that Spain was the
most significant source of inspiration in Ravel's output.
Mostrando entradas con la etiqueta Josep Pons. Mostrar todas las entradas
Mostrando entradas con la etiqueta Josep Pons. Mostrar todas las entradas
lunes, 2 de diciembre de 2019
lunes, 12 de septiembre de 2016
Matthias Goerne / BBC Symphony Orchestra / Josep Pons BERIO Sinfonia MAHLER / BERIO 10 Frühe Lieder
"Since it was first performed in 1969, Luciano
Berio's Sinfonia has become a classic, certainly the most widely known
of all his works and arguably the most successful concert piece by a
composer of his generation." The Guardian
This release is dedicated to the pioneer of Italian modernism Luciano Berio. His 5-movement 'Sinfonia', is undoubtedly his most well-known work, written for the New York Philharmonic and dedicated to Leonard Bernstein. It has become one of the key works and principle musical manifestations of the 1960s bringing together collage technique and modernism.
A few years later, Berio went on to orchestrate a number of songs on texts from 'Des Knaben Wunderhorn', which Mahler had scored for piano and voice, as if they had been written at the time of the later 'Kindertotenlieder'. A symphonic backcloth tailor-made for the great baritone voice of Matthias Goerne [whose 'Knaben Wunderhorn' songs are already available on DVD, with Andris Nelsons, from Lucerne]. His warm, dark voice allows him to capture the sombre and tragic atmosphere of this music like no one else. (Presto Classical)
This release is dedicated to the pioneer of Italian modernism Luciano Berio. His 5-movement 'Sinfonia', is undoubtedly his most well-known work, written for the New York Philharmonic and dedicated to Leonard Bernstein. It has become one of the key works and principle musical manifestations of the 1960s bringing together collage technique and modernism.
A few years later, Berio went on to orchestrate a number of songs on texts from 'Des Knaben Wunderhorn', which Mahler had scored for piano and voice, as if they had been written at the time of the later 'Kindertotenlieder'. A symphonic backcloth tailor-made for the great baritone voice of Matthias Goerne [whose 'Knaben Wunderhorn' songs are already available on DVD, with Andris Nelsons, from Lucerne]. His warm, dark voice allows him to capture the sombre and tragic atmosphere of this music like no one else. (Presto Classical)
lunes, 18 de noviembre de 2013
Patricia Petibon MELANCOLÍA Spanish Arias and Songs
Spain, and its music and art, have long had a special appeal for
Patricia Petibon: “From an early age I was intrigued and fascinated by
Spanish culture, by the way the excessive and the subtle are
inextricably linked. It glorifies emotions with pride and, at the same
time, refinement. It’s a culture that comes from the earth, from the
people. Everything about it appealed to me, and in my early recitals I
liked to insert some Spanish songs into my American and French
programmes. Then, when I went to Madrid to sing in Dialogues des Carmélites,
I met the stage director Emilio Sagi, and that led to my opportunity
to enter the world of zarzuela. It was Sagi who directed me in
Torroba’s Luisa Fernanda in Vienna, where it was wonderful to
be singing alongside Plácido Domingo. I found myself surrounded by
performers from all kinds of Spanish-speaking backgrounds; they noticed
how interested I was in their culture, and that’s how we made a
connection, and I learned from real specialists. Spanish artists have a
physical sense of the music: for them, it draws its strength from the
body, and there I can’t resist making a connection with Baroque music,
with dance, of course, and extreme characters – think of Médée or
Armide. It also shares the same kind of quality of roughness, of
rawness, and voices are used to express emotions, not just to make a
lovely sound.”“I spent a long time thinking about the programme for this disc, creating a mixture of music, and finally I settled on one unifying idea: the feeling of melancholy, which is a reflection of Spain itself. The disc is a journey through different styles, but through folk music as well, which has a strong presence on the disc. The theatrical element is very important, too, and at the centre is the character of Salud in Falla’s La vida breve. She embodies the melancholy of the title, the loss of hope. Melancholy is a balance in life, a sadness that binds us to death. Salud represents the darkest side of melancholy that tends toward tragedy. But this sort of melancholy can also depict the radiance of childhood, of joy and laughter. What I wanted to explore through this disc was the journey between these two poles.”
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