Mostrando entradas con la etiqueta Turina. Mostrar todas las entradas
Mostrando entradas con la etiqueta Turina. Mostrar todas las entradas

domingo, 12 de febrero de 2017

Martha Argerich & Friends LIVE FROM LUGANO 2015

The Lugano Festival in Switzerland is documented annually with a box set by Martha Argerich & Friends, containing their performances in various instrumental combinations. The three-CD package contains live recordings from the 2015 festival of works by Johannes Brahms, Robert Schumann, Franz Schubert, Ferdinand Ries, Joaquín Turina, Béla Bartók, Claude Debussy, Luis Bacalov, Francis Poulenc, Philip Glass, and Alberto Ginastera, Argerich's fellow countryman whose centennial in 2016 is observed with a performance of Dances from Estancia. The roster of performers is impressive, as always, boasting the talents of Argerich and her colleagues, pianists Stephen Kovacevich, Nicholas Angelich, Lilya Zilberstein, and Sergio Tiempo, cellist Gautier Capuçon, violinists Ilya Gringolts, Mayu Kishima, and Andrey Baranov, clarinetist Paul Meyer, and the Orchestra della Svizzera italiana, conducted by Alexander Vedernikov. The June 2016 release of this Warner Classics set also marks Argerich's 75th birthday.

lunes, 18 de noviembre de 2013

Patricia Petibon MELANCOLÍA Spanish Arias and Songs


Spain, and its music and art, have long had a special appeal for Patricia Petibon: “From an early age I was intrigued and fascinated by Spanish culture, by the way the excessive and the subtle are inextricably linked. It glorifies emotions with pride and, at the same time, refinement. It’s a culture that comes from the earth, from the people. Everything about it appealed to me, and in my early recitals I liked to insert some Spanish songs into my American and French programmes. Then, when I went to Madrid to sing in Dialogues des Carmélites, I met the stage director Emilio Sagi, and that led to my opportunity to enter the world of zarzuela. It was Sagi who directed me in Torroba’s Luisa Fernanda in Vienna, where it was wonderful to be singing alongside Plácido Domingo. I found myself surrounded by performers from all kinds of Spanish-speaking backgrounds; they noticed how interested I was in their culture, and that’s how we made a connection, and I learned from real specialists. Spanish artists have a physical sense of the music: for them, it draws its strength from the body, and there I can’t resist making a connection with Baroque music, with dance, of course, and extreme characters – think of Médée or Armide. It also shares the same kind of quality of roughness, of rawness, and voices are used to express emotions, not just to make a lovely sound.”
“I spent a long time thinking about the programme for this disc, creating a mixture of music, and finally I settled on one unifying idea: the feeling of melancholy, which is a reflection of Spain itself. The disc is a journey through different styles, but through folk music as well, which has a strong presence on the disc. The theatrical element is very important, too, and at the centre is the character of Salud in Falla’s La vida breve. She embodies the melancholy of the title, the loss of hope. Melancholy is a balance in life, a sadness that binds us to death. Salud represents the darkest side of melancholy that tends toward tragedy. But this sort of melancholy can also depict the radiance of childhood, of joy and laughter. What I wanted to explore through this disc was the journey between these two poles.”

jueves, 14 de noviembre de 2013

Leticia Moreno / Ana-María Vera SPANISH LANDSCAPES


Leticia Muñoz Moreno is a Spanish violinist. She started her music education at the early age of 3 in both violin and piano with the Suzuki Method offering her first recitals when she was just 5. In 1996 She studied six years with Zakhar Bron at the Escuela Superior de Música Reina Sofía and in Germany at Köln Musikhochschule. Later on she followed the advice of Maxim Vengerov in Saarbrücken and David Takeno at the Guildhall School of Music and Drama where she received the highest degree ever in the history of the school for her final recital. Her last teacher was Rostropovich since 2003. By now (2005) Leticia Moreno plays on a Pietro Guarneri (1679) property of the Stradivari Society of Chicago and has programmed concerts all around the world: Austria, England, St Petersburg, Moscow with Spivakov, Italy, Poland, South America, Mexico and Spain conducting Chicago Symphony Orchestra and Vienna Symphony Orchestra to cite some examples. The Spanish Composer Francisco Lara has dedicated one composition to her: Capriccio for Leticia (2005).