L'Estro d'Orfeo / Leonor de Lera L'ARTE DI DIMINUIRE

                                                        L'ARTE DI DIMINUIRE

Flora Papadopoulos UNWRITTEN

''A fresh, unusual and fashinating travel through time. A good idea for music lovers to listen to their favourite pieces under a new light!'' 

J.S. Bach, Biber, Marini, Corelli are four protagonists of baroque music that no one would associate to the harp. However, they worked in environments where the activity of harpists is widely witnessed, and where a repertoire for the solo harp, while it surely existed, was never written down. 

Based on this premise, and after a deep research on original sources, an ambitious project is born. It suggests that the repertoire of the violin, which shares many idiomatic features with the harp, has long been a source of inspiration for harpists. 

Hence, here some of the most well known and virtuosic pieces for the violin have been adapted to the harp, giving a fresh second life to these compositions, drawing light to new shades and unexpected reflections. 

Flora Papadopoulos, after important collaborations with some of the best known European ensembles of early music , debuts her first solo album. Through personal, highly experimental and empiric paths, she restores a fascinating musical practice that has been long lost.

Daniel Hope AIR a baroque journey

From its creation in the mid-16th century by Andrea Amati to the present day, the modern violin has had an extraordinary and tempestuous history. Arguably its greatest development came during the Baroque era, as violinists and composers, in a sense liberated from the austerity and contrapuntal strictures of The Renaissance, went on a journey, both musically and geographically, avidly seeking more extravagant and original ways in which to express themselves on this fascinating new instrument.
Air sets out to trace one such Baroque journey. It is the story of four unique composers, three of whom were virtuoso violinists, one a lutenist – Falconiero, Matteis and Geminiani from Italy, and Westhoff from Germany. They wandered throughout Europe during the 17th and 18th centuries in search of musical inspiration and crosspollination, and their music and art of performance intrigued and delighted kings, contemporaries and audiences alike.
As well as works by these four composers, this album also features some of the other music of their time, in an attempt to show the cultural exchange taking place, much of it intuitively, between musical minds across borders.
Some of these composers were influenced directly by what they heard, whether it was Geminiani by Handel, Bach by Westhoff or Matteis by the wealth of folk music he encountered on his travels to the British Isles.
This album sets out to show just how diverse the music of the Baroque era was. Air blends the simplest and at times most primitive forms of dance music with the most sophisticated and revolutionary compositions of the day, culminating in a work by Bach - the great master, whose title is my inspiration for this collection, and whose music remains for me today more modern than that of anyone else. (Daniel Hope)