Mostrando entradas con la etiqueta Joaquin Turina. Mostrar todas las entradas
Mostrando entradas con la etiqueta Joaquin Turina. Mostrar todas las entradas
martes, 1 de septiembre de 2020
lunes, 27 de julio de 2020
martes, 14 de julio de 2020
lunes, 22 de junio de 2020
María Bayo / Orquesta Sinfónica de Navarra / Ernest Martínez Izquierdo CANCIONES ESPAÑOLAS
sábado, 25 de mayo de 2019
Clara Mouriz / BBC Philharmonic / Juanjo Mena TURINA Danzas Fantásticas
This disc forms part of our ongoing Spanish Music series, performed
by the BBC Philharmonic and its Chief Conductor, Juanjo Mena. Here the
focus is on the orchestral works of the composer Joaquín Turina, one of
the two leading Spanish composers of the twentieth century, the other
being Manuel de Falla.
Turina was a prolific composer, who in his sixty-seven years wrote
more than one hundred works, in which he explored a wide range of
classical genres, from symphonic music, solo piano pieces, and vocal
works to ballet scores and chamber music. Most of these show the
influences of traditional Andalusian music and folk tunes, often
conveying feelings of rapture and immense exaltation, while also owing a
debt to a range of French composers.
Turina lived in Paris from 1905 to 1914, and during this time, while
taking composition lessons from Vincent d’Indy and getting to know
Maurice Ravel and Claude Debussy, he absorbed certain aspects of the
French style. These influences are particularly evident in Danzas
fantásticas and Sinfonia sevillana. While both these works are heavily
inspired by the sights and sounds of Turina’s native Seville, they also
display hints of French impressionism, inevitably calling Debussy to
mind.
Turina was as thrilled by the sound and style of Andalusian folk
singers as he was by folksong itself, and in terms of his songs, Poema
en forma de canciones (Poem in the form of songs), originally for voice
and piano, is probably the best known work. Here, as in ‘Farruca’ from
Triptico, the orchestra and conductor are joined by the Spanish mezzo
soprano Clara Mouriz for truly idiomatic performances.
Ritmos (Rhythms) was written originally as a ballet, which never
reached the stage; nevertheless it proved brilliantly effective in the
concert hall. The score itself does not relate to any specific scenario,
but follows a progression, which Turina himself described as ‘a gradual
journey from darkness into light’.
The Saeta is the only work on this disc in which Turina completely
steps away from the influences of folk tune-inspired Andalusian dance
rhythms. This is a beautifully written devotional song ‘in the form of a
Salutation to the Virgin of Hope’.
jueves, 27 de diciembre de 2018
Azahar Ensemble TURINA x TURINA
Program based on the project "Turina x Turina", where Azahar Ensemble pretends to contribute to the enrichment of the wind quintet repertoire by commissioning arrangements of the most remarkable works by Joaquín Turina. The composer, born in Seville, was very influenced by the french impressionism of Debussy and Ravel, but always maintained his andalusian roots present in his musical language. Turina is one of the most internationally renowned spanish composers. For these arrangements, Azahar Ensemble has had the invaluable collaboration of composer José Luís Turina, who is himself grandson of Joaquín Turina.
miércoles, 28 de marzo de 2018
EnAccord String Quartet CAPRICCIO
The string quartet repertoire is an unending voyage of discovery and
exploration. The great masterpieces of the repertoire conceal unknown
jewels in their shadow; these latter works, however, seldom find their
way onto a concert programme. This recording introduces our listeners to
our first and highly personal anthology of splendidly varied and short
pieces for string quartet. We hope you enjoy them - because there are
many more such works still to be discovered and enjoyed.
“Our CD is a collection of short stories: each piece has its own
structure and mood, its own individual world. Schulhoff’s five pieces,
each with its own individual character, are perfect examples of this.”
Rosalinde Kluck - alt violin
“The Lekeu piece was a real discovery. Splendid music with great depth. But what a tragedy! How many more masterpieces could Lekeu have composed, if he hadn’t died at such a young age?”
Maike Reisener - cello
“It was an immense pleasure to get to grips with these small masterpieces. Puccini’s Crisantemi is possibly the best of them for me personally. It’s like a scene from one of his operas, with so much emotion and so atmospheric. And of course I’m pleased that there’s also an important work by a Belgian composer on the CD as well…”
Helena Druwé - violin
“To make this CD was a really intriguing experience. I think it’s so amazing to have so many different styles on one CD, because you get to hear all of the different things that our quartet can do. For me, one of the best things in the CD is the Mendelssohn piece, with its warm and impassioned introduction.”
Ilka van der Plas - violin
Rosalinde Kluck - alt violin
“The Lekeu piece was a real discovery. Splendid music with great depth. But what a tragedy! How many more masterpieces could Lekeu have composed, if he hadn’t died at such a young age?”
Maike Reisener - cello
“It was an immense pleasure to get to grips with these small masterpieces. Puccini’s Crisantemi is possibly the best of them for me personally. It’s like a scene from one of his operas, with so much emotion and so atmospheric. And of course I’m pleased that there’s also an important work by a Belgian composer on the CD as well…”
Helena Druwé - violin
“To make this CD was a really intriguing experience. I think it’s so amazing to have so many different styles on one CD, because you get to hear all of the different things that our quartet can do. For me, one of the best things in the CD is the Mendelssohn piece, with its warm and impassioned introduction.”
Ilka van der Plas - violin
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