Mostrando entradas con la etiqueta Rotterdam Philharmonic Orchestra. Mostrar todas las entradas
Mostrando entradas con la etiqueta Rotterdam Philharmonic Orchestra. Mostrar todas las entradas
jueves, 3 de diciembre de 2020
miércoles, 29 de enero de 2020
Alexandre Tharaud GÉRARD PESSON - HANS ABRAHAMSEN - OSCAR STRASNOY
miércoles, 8 de agosto de 2018
Yannick Nézet-Séguin / Rotterdam Philharmonic Orchestra RAVEL Daphnis et Chloé Suite No. 2 - Valses nobles et sentimentales - La Valse - Ma Mère l'Oye
The exciting young conductor Yannick Nézet-Séguin, who succeeded
Valery Gergiev as Music Director of the Rotterdam Philharmonic Orchestra
last season, makes his EMI Classics debut with the Orchestra in an
all-Ravel programme. The repertoire features the composer’s greatest
orchestral works: Daphnis et Chloé Suite No. 2, Valses nobles et
sentimentales, La Valse and Ma mère l’Oye.
For Nézet-Séguin, Maurice Ravel is the greatest orchestrator French
music has ever had: “It’s all about colours” Yannick says, “and the
contrast between intimacy and grandness, La Valse being one of his
greatest and most powerful symphonic poems and the Valses nobles et
sentimentales being much more intimate (…).Daphnis and Chloe is one of
his most uplifting and triumphant works while Ma mère L’Oye is so
intimate.” This disc explores the enormous variety of Ravel’s orchestral
music through three of his particular themes: his fascination with
childhood; his interest in the culture and character of Ancient Greece;
and a near obsession with waltzes of all kinds. Indeed the collection is
suffused with dance, ballet and rhythmic energy.
jueves, 14 de junio de 2018
Rotterdam Philharmonic Orchestra / Yannick Nézet-Séguin BRUCKNER Symphony No. 8 (THE ROTTERDAM PHILHARMONIC ORCHESTRA COLLECTION 6 / 6)
This collection of previously unreleased live recordings celebrates
the Rotterdam Philharmonic Orchestra’s centenary and the ten-year
residency, from 2008 to 2018, of its principal conductor Yannick
Nézet-Séguin.
The Rotterdam Philharmonic, under its long-term Principal Conductor
Yannick Nezet-Seguin, is widely recognised as one of Europe’s most
distinguished orchestras. Celebrated for its winning combination of
passionate commitment, boundless energy and scintillating virtuosity,
the orchestra has come a long way since its relatively humble beginnings
in 1918 as a private ensemble whose members initially paid for the
privilege of joining its ranks.
The arrival of Canadian maestro Yannick Nezet-Seguin in 2008
signalled a new golden era for the Rotterdam Philharmonic, as is
evidenced by this outstanding set of recordings, captured live in the
Doelen concert hall between 2011 and 2016 and collected together here
for the first time by Deutsche Grammophon. At the end of 2017/18 season
Nezet-Seguin assumes the role of Honorary Conductor, handing over the
post of Principal to 29-year-old Lahav Shani.
Rotterdam Philharmonic Orchestra / Yannick Nézet-Séguin BARTÓK Concerto for Orchestra DVORÁK Symphony No. 8 DEBUSSY Nocturnes HAYDN Symphony No. 44 (THE ROTTERDAM PHILHARMONIC ORCHESTRA COLLECTION 4 & 5 / 6)
This collection of previously unreleased live recordings celebrates
the Rotterdam Philharmonic Orchestra’s centenary and the ten-year
residency, from 2008 to 2018, of its principal conductor Yannick
Nézet-Séguin.
The Rotterdam Philharmonic, under its long-term Principal Conductor
Yannick Nezet-Seguin, is widely recognised as one of Europe’s most
distinguished orchestras. Celebrated for its winning combination of
passionate commitment, boundless energy and scintillating virtuosity,
the orchestra has come a long way since its relatively humble beginnings
in 1918 as a private ensemble whose members initially paid for the
privilege of joining its ranks.
The arrival of Canadian maestro Yannick Nezet-Seguin in 2008
signalled a new golden era for the Rotterdam Philharmonic, as is
evidenced by this outstanding set of recordings, captured live in the
Doelen concert hall between 2011 and 2016 and collected together here
for the first time by Deutsche Grammophon. At the end of 2017/18 season
Nezet-Seguin assumes the role of Honorary Conductor, handing over the
post of Principal to 29-year-old Lahav Shani.
Rotterdam Philharmonic Orchestra / Yannick Nézet-Séguin BEETHOVEN Symphony No. 8 TCHAIKOVSKY Francesca da Rimini TURNAGE Piano Concerto (THE ROTTERDAM PHILHARMONIC ORCHESTRA COLLECTION 3 / 6)
This collection of previously unreleased live recordings celebrates
the Rotterdam Philharmonic Orchestra’s centenary and the ten-year
residency, from 2008 to 2018, of its principal conductor Yannick
Nézet-Séguin.
The Rotterdam Philharmonic, under its long-term Principal Conductor
Yannick Nezet-Seguin, is widely recognised as one of Europe’s most
distinguished orchestras. Celebrated for its winning combination of
passionate commitment, boundless energy and scintillating virtuosity,
the orchestra has come a long way since its relatively humble beginnings
in 1918 as a private ensemble whose members initially paid for the
privilege of joining its ranks.
The arrival of Canadian maestro Yannick Nezet-Seguin in 2008
signalled a new golden era for the Rotterdam Philharmonic, as is
evidenced by this outstanding set of recordings, captured live in the
Doelen concert hall between 2011 and 2016 and collected together here
for the first time by Deutsche Grammophon. At the end of 2017/18 season
Nezet-Seguin assumes the role of Honorary Conductor, handing over the
post of Principal to 29-year-old Lahav Shani.
Rotterdam Philharmonic Orchestra / Yannick Nézet-Séguin MAHLER Symphony No. 10 (THE ROTTERDAM PHILHARMONIC ORCHESTRA COLLECTION 2 / 6)
This collection of previously unreleased live recordings celebrates
the Rotterdam Philharmonic Orchestra’s centenary and the ten-year
residency, from 2008 to 2018, of its principal conductor Yannick
Nézet-Séguin.
The Rotterdam Philharmonic, under its long-term Principal Conductor
Yannick Nezet-Seguin, is widely recognised as one of Europe’s most
distinguished orchestras. Celebrated for its winning combination of
passionate commitment, boundless energy and scintillating virtuosity,
the orchestra has come a long way since its relatively humble beginnings
in 1918 as a private ensemble whose members initially paid for the
privilege of joining its ranks.
The arrival of Canadian maestro Yannick Nezet-Seguin in 2008
signalled a new golden era for the Rotterdam Philharmonic, as is
evidenced by this outstanding set of recordings, captured live in the
Doelen concert hall between 2011 and 2016 and collected together here
for the first time by Deutsche Grammophon. At the end of 2017/18 season
Nezet-Seguin assumes the role of Honorary Conductor, handing over the
post of Principal to 29-year-old Lahav Shani.
miércoles, 13 de junio de 2018
Rotterdam Philharmonic Orchestra / Yannick Nézet-Séguin SHOSTAKOVICH Symphony No. 4 (THE ROTTERDAM PHILHARMONIC ORCHESTRA COLLECTION 1 / 6)
This collection of previously unreleased live recordings celebrates
the Rotterdam Philharmonic Orchestra’s centenary and the ten-year
residency, from 2008 to 2018, of its principal conductor Yannick
Nézet-Séguin.
The Rotterdam Philharmonic, under its long-term Principal Conductor
Yannick Nezet-Seguin, is widely recognised as one of Europe’s most
distinguished orchestras. Celebrated for its winning combination of
passionate commitment, boundless energy and scintillating virtuosity,
the orchestra has come a long way since its relatively humble beginnings
in 1918 as a private ensemble whose members initially paid for the
privilege of joining its ranks.
The arrival of Canadian maestro Yannick Nezet-Seguin in 2008
signalled a new golden era for the Rotterdam Philharmonic, as is
evidenced by this outstanding set of recordings, captured live in the
Doelen concert hall between 2011 and 2016 and collected together here
for the first time by Deutsche Grammophon. At the end of 2017/18 season
Nezet-Seguin assumes the role of Honorary Conductor, handing over the
post of Principal to 29-year-old Lahav Shani.
viernes, 27 de marzo de 2015
Andreas Ottensamer PORTRAITS The Clarinet Album
In
February 2013 Andreas Ottensamer entered an exclusive recording partnership
with Deutsche Grammophon/Mercury Classics, making him the first ever solo
clarinettist to sign an exclusive agreement with the Yellow Label. His first
album, Portraits – The Clarinet Album, has been released
in June 2013 and features concertos by Copland, Spohr and Cimarosa, plus
arrangements of short pieces. His partners are the Rotterdam Philharmonic
Orchestra under Yannick Nézet-Séguin.
He
said of the recording: “This album poses the challenge of jumping between
different styles and ways of playing, but at the same time I set a high
priority on maintaining my personal interpretation and sound.”
For
a man who is so dedicated to music, Andreas Ottensamer is also passionate about
sport. For many years he was a tennis tournament player, and together with his
brother he founded his own football club, the Wiener Virtuosen, in 2007. The
team plays successfully in the Wiener DSG league and Ottensamer still travels
to Vienna for matches whenever his schedule permits.
Apart
from his extensive activities within the world of classical music, Andreas
Ottensamer has widened his horizon to other musical fields, resulting in a
collaboration and recording with Tori Amos on her album Night of
Hunters.
Andreas
Ottensamer is very passionate about chamber music. He is artistic director of
the "Buergenstock Momente" - Festival in Switzerland together with
pianist José Gallardo. Artists such as Nils Mönkemeyer, Clemens & Veronika
Hagen, Albrecht Mayer, Linus Roth, Danjulo Ishizaka, Benjamin Schmid and the
Szymanovksi Quartet have been part of the festival.
The
beauty of tone and distinct musicality over a wide range of styles have won
extensive critical plaudits for Andreas Ottensamer. Sybill Mahlke wrote
in Der Tagesspiegel of his “limitless dynamic range . . . he
plays with a vitality that pushes boundaries.” NRC Handelsblad said:
“Andreas Ottensamer melts with his clarinet . . . he is an ‘übersolist’ and a
phenomenon.” Rebecca Schmid wrote for MusicalAmerica.com: “Solo clarinettist
Andreas Ottensamer played with particular finesse . . . and a touch of
melancholy.”
martes, 8 de abril de 2014
Yannick Nézet-Séguin / Lisa Batiashvili / Rotterdam Philharmonic Orchestra TCHAIKOVSKY Pathétique
Yannick Nézet-Séguin's first symphonic recording with the Rotterdam Philharmonic Orchestra on Deutsche Grammophon is of Pyotr Ilyich Tchaikovsky's Symphony No. 6 in B minor, "Pathétique," which the conductor has known intimately throughout c, this is a solid reading that holds its own against the large number of recordings of this symphony, so listeners who need a first-rate version can be assured of the interpretation and the performance. Yet because this is one of the most frequently recorded classical pieces of all time, one may wonder what Nézet-Séguin brings to it that makes his rendition necessary. Perhaps his sense of pacing and calculated use of rubato for dramatic effect make it feel more organic than most, and his sudden shifts of tempo and emphasis on heightened dynamics make this one of the most interesting versions to follow. But in the end, there's not enough to distinguish it from the competition, so listeners should not expect a major revelation. It's still the same warhorse. To fill out the CD, Nézet-Séguin accompanies violinist Lisa Batiashvili in a selection of Tchaikovsky's Romances, Op. 6 and Op. 73, of which the most famous is None but the lonely heart (track 8). These pieces serve as a welcome palate cleanser after the rich but not overly ripe performance of the "Pathétique," and it's interesting to hear Nézet-Séguin's piano playing, which is quite restrained and poetic in feeling. Batiashvili carries the melodic lines with passionate expression and a warm singing tone, so the most compelling music making can be found in these filler tracks.
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