In response to a commission from Count Troyer, who wanted a work
closely modelled on Beethoven’s famous Septet op.20, Schubert – despite
his fervent admiration for the older composer – resolutely struck out on
his own by delivering an . . . Octet. While the enlarged forces opened
his path towards symphonic writing, examination of the form and
expression reveals a much more accomplished and personal composition
than has generally been recognised by commentators. Isabelle Faust and her partners, enthralled by what is an exceptional work in every
respect, offer us a new interpretation of it on period instruments.
Mostrando entradas con la etiqueta Kristin von der Goltz. Mostrar todas las entradas
Mostrando entradas con la etiqueta Kristin von der Goltz. Mostrar todas las entradas
viernes, 18 de mayo de 2018
miércoles, 21 de marzo de 2018
Rüdiger Lotter / Lyriarte THE ENIGMATIC ART OF ANTONIO AND FRANCESCO MARIA VERACINI
Two particularly spectacular personalities of the Baroque
period, which was not short of exciting figures:
Antonio Veracini, violin virtuoso, teacher and composer
in Florence. Although he was a highly respected
musician and teacher in his own time, only few of his
works have survived. His nephew Francesco Maria, to
whom he taught violin and composition, was a completely
different type. Hotheaded, eccentric, ingenious
– as he was described by his contemporaries. This
character is reflected today in his works, which attest
to an extraordinary freedom from conventions. On
this CD the soloist Rüdiger Lotter finds a celebrity
partner in the recorder player Dorothee Oberlinger.
The Continuo part very well cast also promises an
adventurous listening experience through the contrasting
soundscapes of the Veracinis.
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