Mostrando entradas con la etiqueta Nicholas Phan. Mostrar todas las entradas
Mostrando entradas con la etiqueta Nicholas Phan. Mostrar todas las entradas
jueves, 22 de octubre de 2020
lunes, 3 de diciembre de 2018
San Francisco Symphony / Michael Tilson Thomas BERLIOZ Roméo et Juliette
Michael Tilson Thomas and the San Francisco Symphony bring unsurpassed storytelling to their latest recording on the Grammy Award-winning SFS Media label: Berlioz’s dramatic symphony Roméo et Juliette With a narrative that Berlioz deemed "too beautiful, too musical" to not be performed, this Impassioned orchestral scoring of love and despair is further enriched by the vocals of Sasha Cooke, Nicholas Phan, Luca Pisaroni, and the SFS Chorus.
“Berlioz’s Roméo et Juliette is a true sonic spectacular—the scale of the piece and the positioning of the large orchestra, very large chorus, and soloists is extraordinary. This recording allows all of these wonderful forces to be heard clearly and with incredible majesty.” (Michael Tilson Thomas)
“Berlioz’s Roméo et Juliette is a true sonic spectacular—the scale of the piece and the positioning of the large orchestra, very large chorus, and soloists is extraordinary. This recording allows all of these wonderful forces to be heard clearly and with incredible majesty.” (Michael Tilson Thomas)
lunes, 17 de septiembre de 2018
Concert Artists of Baltimore Symphonic Chorale / Baltimore Symphony Orchestra / Edward Polochick HANDEL Messiah
Of all English oratorios Handel’s Messiah has always been the
most overwhelmingly popular. It is the least theatrical of his oratorios
and the most purely sacred in its choice of subject matter. The vivid
choral writing—there are more choruses in Messiah than in any
other Handel oratorio—coupled with the expressive density of the solo
arias, have ensured its status as one of the greatest choral
masterpieces in the Western canon.
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