
. . . their voices blending beautifully . . . all done with spirited
fervor and admirable vocalism. Tenor Ramón Vargas is a positive
presence, giving us the bel canto gem
"Una furtive lagrima" from
Donizetti's "L'elisir d'amore" in a flawlessly idiomatic interpretation
that includes stunning diminuendos and a melting mezza-voce. Ludovic
Tézier's rich baritone scores with a subtle rendition of Riccardo's
death scene from Verdi's "Don Carlo" and, in yet another highlight in an
evening full of them, joins Vargas in the great duet "Dio, che
nell'alma infondere" from that opera . . . her [Garanca's] showpiece
aria from Rossini's "La Cenerentola" sparkles, with impressive
coloratura fireworks. Netrebko is among the most brilliant stars of
today's operatic firmament . . . She brings the house down with the
first of the concert's many encores, a performance of Lehar's "Meine
Lippen" from the operetta, "Giuditta", that includes seductive singing
and acting, sexual flirtations, and energetic dancing. Her enthusiasm is
infectious, sparking her colleagues as well as the audience. All four
singers join in the quartet from "Rigoletto" that ends the formal
portion of the concert, and in the final encore, they trade verses in an
arrangement of the "Drinking Song" from "La Traviata". Conductor Marco
Armiliato, whose supportive accompaniments help make the concert a
rousing success, directs the capable orchestra. So this two-hour
singfest provides joys for vocal buffs . . .
(Record Review /
Dan Davis)
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