
With their combination of jazz rhythms, sensual beauty
and spiky vitality, Ravel’s two piano concertos illustrate her point to
perfection, as will be heard on her new album – to be released in
October. It also features the original piano solo version of Fauré’s
Ballade in F sharp major op. 19. Wang recorded all three works in the
spring of this year – in the concertos she was accompanied by the
Tonhalle-Orchester Zürich, the ensemble with which she made her European
debut in 2003, aged just 15, and with which she has just spent a season
as Artist-in-Residence. On the podium for this new recording was
stellar young French conductor Lionel Bringuier, who was unanimously
awarded first prize and the Prix du Public at the 49th Besançon Young
Conductors Competition in 2005, and went on to be named Chief Conductor
and Music Director of the Tonhalle in 2012, at the age of 26. He has now
set out to record all of Ravel’s orchestral music with the Tonhalle for
Deutsche Grammophon.
Wang and Bringuier have worked together
often since she played Prokofiev’s Second Piano Concerto with the
Swedish Radio Symphony Orchestra under his direction in Stockholm in
2008. After their Ravel project – Wang’s first venture into French
repertoire on disc – they will be joining forces again in November this
year to perform Mozart’s Piano Concerto No. 9, “Jeunehomme”, with the
Los Angeles Philharmonic in LA.
Ravel’s celebrated Piano Concerto in G major and the less familiar Piano Concerto for the Left Hand in D
major are both heavily influenced by jazz – the composer had undertaken a
four-month concert tour of North America in 1928, during which he took
in the jazz clubs of both Harlem (in the company of George Gershwin) and
New Orleans. He then worked on the two concertos concurrently, between
1929 and 1931, and originally planned to give the first performance of
the G major work himself. In the event, however, it was Marguerite Long
who gave the premiere, under the baton of Ravel, in part because the
composer was focused on completing the Concerto for the Left Hand,
commissioned by Austrian pianist Paul Wittgenstein, who had lost his
right arm during World War I. The two works are very different in
character, the D major Concerto often dark and brooding, the G major
more playful, offering a Mozartian clarity and drawing on the
translucent style of Saint-Saëns – as, incidentally, does Fauré’s
Ballade. The latter is a work for which Yuja Wang has a particular
affection because, in its orchestral version, it was the first work she
ever played with an orchestra.
Ever since her sensational debut
with the Boston Symphony Orchestra in March 2007, Yuja Wang has been
building an extraordinary career, giving concerts with the world’s
leading orchestras and regularly joining them on tours of the Americas,
Asia and Europe. Since 2009 Deutsche Grammophon has released six
recordings with her, most recently an album of concertos by Rachmaninov
and Prokofiev (“Wang is a force of nature” – South Florida Classical Review.)
Yuja
Wang will soon be appearing with the San Francisco Symphony in its home
city before travelling with the orchestra to the Edinburgh Festival and
the BBC Proms in London, as well as to festivals in Wiesbaden,
Bucharest, Lucerne, Luxembourg, Amsterdam and Paris. In February she
makes her debut with the Vienna Philharmonic, performing Mozart’s
“Jeunehomme” under Valery Gergiev in both Munich and Paris. Other
highlights of the upcoming season include a tour of Asia with the Royal
Concertgebouw Orchestra and Gustavo Gimeno (in Tchaikovsky’s Piano
Concerto No. 2), a solo recital at Carnegie Hall in May and, in June,
another reunion with Bringuier, for performances of both Ravel concertos
with the Orchestra dell’Accademia Nazionale di Santa Cecilia.
With
her singular musicality and stylish appearance on stage, Yuja Wang has
been fêted not just in the music world but in the pages of international
fashion magazines. She is a Steinway Artist and a brand ambassador for
Rolex. A video of her playing The Flight of the Bumblebee on
YouTube has been viewed almost four million times. As an internet
sensation with an immense following, she will bring the vibrant music of
Ravel to a whole new audience. (Deutsche Grammophon)
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