The "Low" Symphony, composed in the Spring of 1992, is based on
the record "Low" by David Bowie and Brian Eno first released in
1977. The record consisted of a number of songs and instrumentals and used
techniques which were similar to procedures used by composers working in
new and experimental music. As such, this record was widely appreciated by
musicians working both in the field of "pop" music and in experimental
music and was a landmark work of that period.
I've taken themes from three of the instrumentals on the record and, combining
them with material of my own, have used them as the basis of three movements
of the Symphony. Movement one comes from "Subterraneans," movement
two from "Some Are" and movement three from "Warszawa."
My approach was to treat the themes very much as if they were my own and
allow their transformations to follow my own compositional bent when possible.
In practice, however, Bowie and Eno's music certainly influenced how I worked,
leading me to sometimes surprising musical conclusions. In the end I think
I arrived at something of a real collaboration between my music and theirs. (Philip GlassNew / York City, 1992)
Heroes, like the Low Symphony of several years ago, is based on the work
of Bowie and Eno. In a series of innovative recordings made in the late
70's, David and Brian combined influences from world music, experimental
avant-garde, and rock and roll and thereby redefined the future of popular
music.
The continuing influence of these works has secured their stature
as part of the new "classics" of our time. Just as composers
of the past have turned to music of their time to fashion new works, the
work of Bowie and Eno became an inspiration and point of departure of symphonies
of my own. (Philip Glass)
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