There is really very little
that need be said about these virtuoso performances of these two sweetly
melodious concertos except to record that they are played as
brilliantly as one would expect and that the sound is full and warm.
Perlman has recorded Wieniawski's No. 2 before on HMV, as can be seen;
possibly he has now an even silkier demeanour with it. It is perhaps
this quality that leads me to prefer his playing above Chung's rather
more forceful manner in the Saint-Saens (Decca). Perlman is particularly
elegant in the slow movement of the Wieniawski, and of course he never
makes the mistake of trying to inflate either work to the status of
masterpiece.
Gramophone [1/1984]
reviewing the original LP
Gramophone [1/1984]
reviewing the original LP
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