. . . [from the first chords of the "Figaro" overture, Nézet-Séguin]
establishes a bold, fully crystallized concept of Mozartean sonority and
the psychological implications behind it . . . [Christiane Karg as the
wily servant Susanna and Sonya Yoncheva as the Countess] are just
wonderful . . . [Luca Pisaroni's Figaro] makes dramatic points not with
his usual word articulation but with more microphone-friendly use of
tone Color . . . Even small roles are cast with stars: Anne Sofie von
Otter as Marcellina and Rolando Villazón as Basilio help sustain Act 4 .
. . [the 50-plus "Figaro" recordings on CD and DVD] show how the opera
showcases each generation of Mozart performers . . . Nézet-Séguin's
recording takes its place among these touchstones. A great musical
mediator . . .. . . [from the first chords of the "Figaro" overture, Nézet-Séguin]
establishes a bold, fully crystallized concept of Mozartean sonority and
the psychological implications behind it . . . [Christiane Karg as the
wily servant Susanna and Sonya Yoncheva as the Countess] are just
wonderful . . . [Luca Pisaroni's Figaro] makes dramatic points not with
his usual word articulation but with more microphone-friendly use of
tone Color . . . Even small roles are cast with stars: Anne Sofie von
Otter as Marcellina and Rolando Villazón as Basilio help sustain Act 4 .
. . [the 50-plus "Figaro" recordings on CD and DVD] show how the opera
showcases each generation of Mozart performers . . . Nézet-Séguin's
recording takes its place among these touchstones. A great musical
mediator . . .
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