Since the early 1990s, Antonio Vivaldi and Fabio Biondi
have become inseparable musical values for many music lovers around the
world. In his latest recording for Glossa, the latter offers further
proof of the astonishing imaginative powers of Vivaldi as a composer of
violin concertos, which are matched by Biondi’s own dynamic and cultured
virtuosity as a violinist (and director). With these Farewell Concertos Biondi – leading Europa Galante
– turns to works written by a Vivaldi very near the end of his life as
he travelled to Vienna in a desperate search for creative opportunities.
Where Biondi’s recent Il Diario di Chiara release saw a late Vivaldi surrounded by colleagues and successors at the Pietà in Venice, I concerti dell’addio
sees him in a Vienna in mourning for its recentlydeceased emperor and
more attuned to the nowfashionable galante style than to that of the Red
Priest, however brilliant and ebullient Vivaldi’s compositional spirit
continued to be. The six concertos on this disc are all drawn from a
collection sold in 1741 – very cheaply it seems – to the count
Vinciguerra Collalto, and today kept in Brno, and bear witness to
Vivaldi’s late style (as it headed in the direction of Tartini and
Locatelli).
Biondi’s selection of concertos provides
him full scope to portray the vivid and masterfully-conceived imagery,
the compendium of violin techniques and the opportunities for
improvisation implicit in Vivaldi’s maturity. (GLOSSA)
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