Sandrine
Piau was recently forced to withdraw from both Glyndebourne and this
year's Proms after sustaining a knee injury, so if you admire her work,
then you're going to have to make do, I'm afraid, with her latest album.
It thoughtfully examines images of night, sleep, dreams and waking in
post-Romantic and modern song. Piau treats the subject metaphorically as
well as literally, which allows her to include Poulenc's settings of
surrealist poetry, Strauss's Morgen, and Britten's The Salley Gardens,
which deals with waking up to reality after disappointment in love. She
also gives us Vincent Bouchot's Galgenlieder – an eerie new song cycle
that pitches settings of Christian Morgenstern somewhere between
nightmare and nursery rhyme – together with some rarely heard
Mendelssohn and familiar numbers by Chausson and Fauré. At 58 minutes,
the disc is a bit short, and a preponderance of reflective material
results in an occasional sameness of mood. But there's
exquisite playing from Susan Manoff, and no mistaking the beauty of Piau's voice, or her
hypnotic way with words. This is singing that sends shivers down
your spine.
(Tim Ashley / The Guardian)
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