
“Because of its uncommon instrumental
forces, the ‘chamber’ version of the 'Petite Messe', for two pianos and
harmonium, was long regarded as the definitive version; the
orchestration Rossini made in 1867-68 was viewed as merely an
arrangement. In his recent critical edition, Davide Daolmi presents a
different interpretation, which makes the orchestrated version the
culmination of a long genetic process, begun in 1862, in which the
‘chamber’ version is merely an intermediate stage. The posthumous
premiere of the definitive version of the 'Petite Messe', which was also
the work’s first public performance, took place at the Théâtre-Italien
on 28 February 1869, the anniversary of the composer’s birth, with
Gabrielle Kraus (soprano), Marietta Alboni (contralto), Ernest Nicolas
(tenor), and Luigi Agnesi. It was at once a triumph and a highly
emotional occasion. A few years later, on 30 May 1876, Verdi was to
conduct his 'Messa da requiem' in the same theatre, thus continuing the
homage to the great Italian composer.” (from the booklet notes)
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