
The nearly uninterrupted string of strong, successful albums produced by cellist Gautier Capuçon (and indeed his violinist brother, Renaud)
demonstrates that the CD debut Face à Face was not just a fluke
produced by child prodigies. Rather, Face à Face was a springboard for
what has proven to be an enduring career and ever-improving
musicianship. On this latest album without his brother, Gautier collaborates with pianist Gabriela Montero on the cello sonatas of Rachmaninov and Prokofiev. Fans of Capuçon's playing will recall that he had previously released a recording of the Rachmaninov sonata with pianist Lilya Zilberstein
on the EMI label in 2003. While it may seem questionable to make
duplicate recordings when he has recorded so little of the cello
repertoire, it offers listeners an opportunity to see how his playing
continues to mature even over a short span of five years. While some of
the tempos are a little different than the 2003 recording, the most
notable difference is that of sound, which has developed impressively
with the help of his magnificent 1701 Gofriller cello. His command of
sound is most obvious in the
solo opening of the Prokofiev sonata. The immense depth and power of his sound on the lower two
strings of the instrument is enough to mesmerize anyone. Power and
projection permeate the album along with his stunning technique, deep
understanding of the score, and pleasantly precise intonation.
(Mike D. Brownell)
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