
The Zehetmair Quartett, whose account of Hartmann and Bartók string
quartets on their ECM debut was most enthusiastically received by the
international press return with chamber music of Robert Schumann. With
their uncanny sense for all the attributes of musical text, the quartet
locate the emotional centre of these pieces even as they illuminate the
clarity of the musical architecture in their subtle and lucid
interpretations. In recent concerts, the Zehetmair Quartett has been
playing Schumann alongside Bartók and Cage, making a case for the
composer’s ‘modernity’, which is also evident in these readings. As is
now well-known, the Zehetmair group commits its repertoire to memory and
often plays without music stands in concert, reaching thereby levels of
inter-ensemble communication which the Glasgow Herald called “light
years beyond close collaboration”. And in these
Schumann performances
they also convey, vividly, the sense of voices in dialogue, arguments
worked out in the interplay of parts…
(ECM Records)
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