A few years after a complete recording of Mozart's solo piano works that
has gradually come to be regarded as a benchmark, Kristian Bezuidenhout
has taken all the time he needed to tackle Haydn, the other towering
figure of the Viennese Classical keyboard repertory: 'Preparing for this
recording has been a vivid reminder that it is remarkably difficult to
play Haydn's music well, but that with enough care, and attention to
detail, his music has the potential to come jumping from the page. It
would be hubris to suggest that I am even close to unlocking any of its
secrets, but I am so humbled by the sheer beauty, humanity, wit and
delightful irony of this music, that the desire to continue is
irresistible.'
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