The focus of Extravagantes Seicento is the musical exuberance of a
century full of contradictions, and at the same time receptive towards
all kinds of novelty. By means of a rich collection of instrumental
sonatas for violin, viola da gamba and harpsichord, the recording
portrays the peregrine world of composers and instrumentalists who
travelled throughout Europe in their search for receptive cultural
circles and the degree of financial stability required for the creation
of new works. In particular the Habsburg courts of Vienna and Innsbruck
attracted artists from Italy and central Europe, becoming hubs for
innovation in the visual arts, the theatre and instrumental music.
Under the imperial protection of Ferdinand III, Leopold I and
Archduke Ferdinand Karl of Austria, the great violinists of the 17th
century Ignazio Albertini, Giovanni Padonolfi Mealli, Samuel
Capricornus, Heinrich Schmelzer and Ignaz Biber expanded the technical
potential of the violin and the viola da gamba, producing a repertoire
of highly melodious sonatas featuring virtuoso brilliance and such
eccentricity of sound as to surprise or even disconcert audiences, both
then and today.
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