Gustav Mahler was not yet thirty years old when he mounted the podium
to conduct his ‘Symphonic Poem’ (Sinfonische Dichtung) in the Large
Hall of the Redoute (Vigadó) in Budapest on 20 November 1889. The young
man, who had recently been appointed director of the Hungarian capital’s
opera house, was presenting an orchestral composition for the first
time that evening. This work, which Mahler thought would be ‘child’s
play’, was in fact - as he was to admit years later - “one of [his]
boldest.” It is the crystallisation of his childhood, marked by the
successive deaths of his brothers and sisters but also by the brutality
of his father. The work also embodies the dreams that this rebellious
young student at the Vienna Conservatory had already forged some ten
years earlier, with the new generation of artists and thinkers of which
he was a member.
In this album, François-Xavier Roth and Les Siècles have chosen to
present Mahler’s First Symphony in its second version, that of
Hamburg/Weimar (1893-94) - a unique opportunity to hear the symphonic
poem Titan. By allowing us to follow the genesis of this first large
scale work, Titan opens the doors of Mahler’s artistic workshop at a
crucial moment in the creative process: the transition from the youthful
effort of 1889 to the Symphony in D major of 1896, which established
Mahler as one of the foremost symphonists of the modern era.
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ResponderEliminarP.S. thanks for your hard work, amazing site :)
ResponderEliminarMerci Beaucoup
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