The remixes that are presented here are varied and add perfectly to the
canvas that has been left behind to sonically daub on. The immediate
interest here are the Mogwai and Clark one remixes. They are the acts
that historically will deliver the more abrasive take on the tracks and
subsequently the more subversive. Both acts do not disappoint.
Conversely, the ‘short edits’ available here are far more interesting
and accessible that the full remix tracks. To be brutal, there is very
little difference between certain lengthy mixes and shortened mixes. The
edited re-mixer track gets to the point quicker and by-passes the
repetition of the outstanding sublime content of the SLEEP
originals. This CD works perfectly well with the ‘short’ edited 7 mixes
of the same track submitted by Mogwai, Clark, Digitonal’s Theo In
Dreamland and Jürgen Müller. These additions are invaluable to the
finished product.
In defense, all of the tracks and mixes offer much in terms of a
unique, modern composer that is an obvious influence on contemporary
composers such as Clint Mansell and John Murphy.
Max Richter is
very much a name to be looking out for in the field of contemporary
composers who are able to transcend the field of ‘popular’ music to
create another usable product.
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