As an elite string player, whose Amar Quartet was one of Europe’s most
exploratory chamber groups, Hindemith was perfectly placed to write his
powerful sequence of string quartets. One of the greatest quartets of
its time, the technically sophisticated No 5, Op 32 reveals Hindemith as a master of the medium. Twenty years were to pass before No 6 in E flat, written in America, which reveals similar qualities of control, whilst No 7 in E flat was
written for himself to play in a domestic setting with female students
from Yale University and his wife, an amateur cellist. It concludes one
of the twentieth century’s greatest cycles of quartets. (NAXOS)
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