Duo Gazzana's second album for ECM New Series unites works from the
20th and 21st centuries with striking narrative character and
retrospective glance at music history. Composers from France, Great
Britain, Italy, Russia and Ukraine present earlier musical forms -
toccata, suite, canons, variations - in the light of new developmental
techniques, thereby revealing similarities and relations across
centuries, geographical boundaries and contrasting forms of expression.
Alfred Schnittke's “Suite in the Old Style” is indeed a playful if
unconventional allusion to compositional style of the past. “Hommage à
J.S.B.”, by the Ukrainian living composer Valentin Silvestrov, evokes
variations on themes of the Leipzig master. Similarly Luigi
Dallapiccola, in his divertissement “Tartiniana seconda”, responds with
contrapuntal mastery to the music of the Baroque composer Giuseppe
Tartini. William Walton's rarely heard “Toccata”, written when he had
just turned 20 years old, virtually overflows with structural ideas
related to the virtuosic demands of traditional toccata form. The
cadenzas for both the violin and the piano call for
quasi-improvisational skills that draw rhythmic impetus from jazz.
Vitality and vehemence inform also Francis Poulenc's dramatic “Sonate”,
here representing the evolution, on a structural and formal basis, of
the simplest and earliest musical forms (toccata, suites, divertissement and variations) used in the compositions of this album. Written in
1942-43 it is dedicated to the memory of the Andalusian poet Federico
García Lorca.
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