Pärt Piano Music by Naxos features pianist Ralph van Raat
interpreting the Estonian composer’s music spanning over four decades.
This retrospective takes us on a stylistic journey that is truly
millennial in scope, while remaining reverent in spirit.
Ralph van Raat plays the allegro passages with a digital precision characteristic of post-war piano music. He imbues the largo passages…with a touching impressionistic quality.
[In] The movements the Partita, Op. 2…the musical language is
decidedly modern…making full use of pitch material while not being
constricted by serial techniques. The third movement is a study of
chords, growing in complexity and dynamics and adhering to a touching…
The guileless simplicity of these diatonic tone-studies enables a very
close identification between composer, performer, instrument, and
audience, the very essence of effective music.
Van Raat is joined here by JoAnn Falletta leading the Netherlands Radio
Chamber Philharmonic, and I was struck by the similarity between this
piano-orchestra pairing and that of other eastern European composers. As
Ralph van Raat points out in the liner notes, Pärt believed that the
essence of truth “is translated in music by the connection and silence
between just two notes.” In these hesitant and vulnerable moments, the
orchestra intones the very essence of sorrowful resignation, while the
piano dutifully spins out a liturgy of mourning. This is all done not
with long, balanced musical phrases or distinct melodic contour, but
just a micro-focus on the event of one note being replaced by another in
the most unhurried fashion. Lamentabile holds perhaps one of
the most arresting English horn solos I have ever heard, fragments of
middle-eastern scales appearing and disappearing over an ominous pedal;
there is no resolution, but there is no urge, only the last utterances
before life is extinguished and returned to the infinite.
There are many contemporary composers who receive coveted commissions,
only to see their creations shelved after one performance. Arvo Pärt is
that rare living artist who has managed to penetrate the finicky
audiences of today and present them with something unmistakably
universal. (2012 I Care If You Listen)
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