Alongside its ongoing and much lauded Haydn and Schubert series, both
on-stage and on-record, the Doric String Quartet with this Mendelssohn
album is adding a new milestone in its repertoire.
Mendelssohn wrote and published these three quartets at very
different stages in his life and they therefore outline the complete
trajectory of his creative output.
The early Op. 12, also called No. 1, was composed in London and
includes many musical allusions to Beethoven, dead only a few years
before its composition. These subtly contrast with Mendelssohn’s
genially flowing energy.
While Op. 44 No. 3, which incorporates many deft variations,
developments, and combinations, follows an extended honeymoon tour and
Mendelssohn’s twenty-ninth birthday, Op. 80 emerged from a bout of
helpless depression after the sudden death of Mendelssohn’s older sister
and confidante, Fanny. Mendelssohn described this quartet as a Requiem,
and the nervous agitation often found in his music here bursts forth
with full force. Resignation, agitation, and nostalgia shape the work,
the almost shocking finality of which may be said to prefigure
Mendelssohn’s own death only six months later.
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