‘Sacrum Convivium’ presents a vision of French music over two millennia:
from Gregorian chant through Guillaume de Machaut’s extraordinary ‘Lai
de Nostre Dame’ to the Twentieth Century of Maurice Duruflé, Francis
Poulenc and Olivier Messiaen, all three of them influenced in some way
by the spirituality and sensibility of Gregorian chant, which Messiaen
himself described as “the greatest treasure we possess in western
music.”
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